Suzanne James (née Carter) is a General Manager and Producer and who has worked on productions in the West End, off-West End, Fringe and touring venues worldwide for companies including Sonia Friedman Productions, Working Title Films, the Menier Chocolate Factory and nabokov.
Suzanne graduated from Sussex University with a BA (Hons) in Politics and Contemporary History. After graduating Suzanne began work as a freelance producer, making her first move into the West End working as an assistant producer on Angry Young Man at the Trafalgar Studios.
As a freelance producer Suzanne has worked on numerous theatre productions at venues such as Battersea Arts Centre, Tristan Bates Theatre and Southwark Playhouse. A highlight of her freelance work was working with comedian and political activist Mark Thomas on his series of performances It’s the Economy Supid?! and It’s the Stupid Economy at venues in London. Suzanne has also worked as a producer for nabokov under Artistic directors George Perrin and James Grieve (now Paines Plough), producing Present:Tense at Southwark Playhouse and the UK tour of Is Everyone OK? By Joel Horwood.
In 2009 Suzanne was selected from over 2,000 applicants to be part of a team of eight young producers for the Old Vic New Voices 24 Hour Plays.
Between 2009 and 2011 Suzanne worked for Working Title Films as part of a new theatrical general management team on Billy Elliot the Musical and on the development of Bridget Jones the Musical.
Other productions include: for Sonia Friedman Productions – La Cage Aux Folles (Playhouse Theatre, West End), Legally Blonde (Savoy Theatre, West End) Arcadia and A View From the Bridge (Duke of York, West End), Dancing at Lughnasa (Old Vic); for Menier Chocolate Factory – A Little Night Music, Rookery Nook, and Talent; Backbeat (Duke of York, West End).
Before joining 59 Suzanne worked as the Arts Coordinator at the Southbank Centre, playing a pivotal role in the programming and delivery of the yearlong landmark festival The Rest is Noise and the summer 2012 Festival of the World.
Nick Corrigan has worked with 59 Productions on a range of video projects including the UN Global Goals Launch, Deep Time; the opening event at the Edinburgh International Festival, Wonder.Land at the National Theatre London, Sinatra at the London Palladium and the Boeing Centennial Projection Spectacular.
He began VJing in 1999 at the Institute of Contemporary Arts, London, and went on to play at clubs and festivals around world. In 2002 he created animations for Badly Drawn Boy’s European tour and subsequently went on to work with Yeast Culture on visuals for musicians including Nitin Sawhney, Matthew Herbert, Michael Nyman and Courtney Pine.
Since then Nick has continued to work on a broad array of video and animation projects, including video installations for the Mayor of London’s Future London exhibition at the Science Museum in London, video for Bernstien’s Mass directed by Dame Jude Kelly at the Royal Festival Hall, video for Nitin Sawhney and Akram Khan’s collaboration Confluence at Sadler’s Wells and live video design for Jamie Cullum’s Pursuit world tour.
More recently Nick has directed video for the Philharmonia’s production of Bluebeard’s Castle, video design for Will Tucketts’ production of West Side Story at the Sage Gateshead and Creative Direction for Jamie Cullums’ Momentum UK & European tour.
Hannah Fasching joined 59 Productions in January 2016 as a creative assistant. In her time with 59, Hannah has played a key role in the creative development of a number of significant international projects. In joining 59 Hannah worked for a significant period on the research and development for the Boeing Centennial Projection Spectacular in Seattle, visiting the Boeing video archives and working closely with the animation team to develop the creative narrative and show content. Since then Hannah has worked on a variety of different projects including a projection mapping show in Las Vegas, performance of Sleeping Beauty for the Royal Opera House in the Switch House, Tate Tanks and the Dubai World Cup 2017. In January 2017 Hannah took on the role of Design Co-ordinator, organising the resourcing and scheduling of projects and co-ordination of video and photography of projects.
Hannah graduated from Goldsmiths, University of London with a BA in Design specialising in the use of digital media in spatial environments. Prior to joining 59, Hannah worked for Cohen Van Balen and Troika developing a number of artworks, installations and commissions that have been exhibited at the Lisbon Architecture Triennale, Foundation for Art and Creative Technology in Liverpool and NC-Arte in Bogota, Colombia. Hannah has also developed a number of her own projects including The Deep Ford, an outdoor video installation commissioned and exhibited as part of the London Design Festival 2014.
Claudia Fragoso graduated with a BA in Architecture from Cambridge University more recently with an MA in Architecture from the Royal College of Art. She recently joined 59 Productions, and was involved in the set design for a special performance of Sleeping Beauty for the Royal Opera House in the Switch House Tate Tanks. She is currently leading the architectural design for the City of Glass Virtual Reality Experience that will accompany 59’s upcoming production of Paul Auster’s City of Glass at HOME in Manchester and the Lyric Theatre in London.
During her BA, Claudia interned at SO-IL in New York, where she helped them develop their current design for the Frieze Art Fair located on Randall’s Island. Claudia joined PLP Architecture in September 2012, where she was involved in concept and detail design for several masterplan proposals both in the UK and China. Her experience in temporary architecture began with installation design and construction for various festivals including the Secret Garden Party in Cambridge, England, as well as the Theater Der Welt arts festival in Mannheim, Germany. Furthermore, Claudia has worked for Nieto Sobejano Architekten in Berlin, collaborating with the competition team on various proposals around Germany as well as Vienna, Vals and Moscow. Prior to joining 59 Productions have been working with Caroe Architecture Ltd. at St. Paul’s Cathedral.
Akhila Krishnan is a Designer, Film-maker and Artist with extensive experience working in the UK and India. She completed her Masters from the Royal College of Art on a full scholarship, and has worked with a range of organisations including The Academy of St. Martins in the Fields, The Barbican, Alliance Française, Random House and the Indian Government in her professional career.
Akhila began working with 59 as a freelancer in 2012, joining the company full time in August 2013. Her first project with the company was Isles of Wonder – The London 2012 Olympic Opening Ceremony, and she has gone on to work across a range of projects as part of the core creative team.
She worked on the Tony Award winning show An American in Paris (Chatelet Theatre / Broadway) and it’s recent West End transfer. Projection Mapping work includes Deep Time – the opening event for EIF 2016, UN Global Goals Launch – projection mapping onto the UN Building and Lighting the Sails – projection mapping on the Sydney Opera House. Installation work includes The Baroque Story (Hampton Court Palace) and notably Shakespeare: Greatest Living Playwright (V&A) and By Me, William Shakespeare: A Life in Writing (Somerset House/National Archives) – which she led the design for. Opera and Theatre work include Perfect American (ENO/ Teatro Real) and Great Britain (National Theatre/West End).
Akhila works as an integral part of the content and design team at 59, using her varied and diverse skills to work across narrative, design, production and delivery. She works closely and collaboratively with curators, writers, musicians, animators and artists to create unique material for projection, often leading on delivery for the same. She also runs the internship program at the company; mentoring young designers.
Jenny Melville is an architect and set designer who has specialised in design for live performance. Since graduating from her Masters in Architecture at the Royal College of Art, she has been designing theatrical stage sets and immersive spaces alongside her more traditional architectural work designing theatres.
Jenny joined 59 Productions in November 2015. In her time with 59, Jenny has contributed to a vast range of projects. She led the 3d design work on the V&A ‘David Bowie Is’ remounted exhibition in Bologna, the staging for the spectacular Boeing 100 year celebration show in Seattle and more recently the set design for a special performance of Sleeping Beauty for the Royal Opera House in the Switch House Tate Tanks.
Prior to joining 59, Jenny worked for over five years at world-renowned production designers, Stufish Entertainment Architects, where she gained experience in a wide range of stage and architectural projects all around the world. Notably, she was the Project Architect for the multi-award winning Han Show Theatre, a 2000 seat theatre for Franco Dragone which included some extraordinary staging technology. She also led the design on the Pink Floyd Exhibition, which opens at the V&A in May this year.
Jenny is an ARB registered Architect, having gained her professional accreditation from the University of Cambridge.
Raphael graduated from the University of Kent in July 2015 with a first class degree in Digital Arts.
Raphael joined 59 in May 2015 as the company’s Design Intern and within five months was promoted to the position of Creative Assistant. During this time at 59 he has played a key role in the company’s creative output, working on projects such as The Harmonium Project on The Usher Hall to mark the opening of the 2015 Edinburgh Festivals, the launch of the United Nation’s Global Goals which involved projecting onto the UN headquarters in New York, and using his foreign language and animation skills on the video design for Morgen und Abend by Georg Friedrich Haas at the Royal Opera House, as well as providing support on numerous other projects.
Rebecca Collis graduated from Royal Holloway University of London in September 2010 with a BA (Hons) in Media Arts.
She joined 59 in late December 2014 and is currently an Assistant Producer for the company, regularly producing a variety of different projects ranging from large scale outdoor events to museum exhibitions to theatre shows, as well as providing invaluable support to other producers on larger ventures. She works closely with each of the directors and design teams to help bring their artistic visions to life in as seamless a manner as possible.
Rebecca has over 4 years’ experience working freelance in the film industry prior to her joining 59 Productions. She has collaborated with some of the largest film studios in the world such as Paramount Pictures, Warner Brothers and Walt Disney, with some of her credits including ‘World War Z’, ‘300: Rise of an Empire’, ‘Cinderella’ and ‘Alice Through The Looking Glass’. Based in the production office, Rebecca specialised in the co-ordination and management of productions and throughout her career has had the pleasure of working with some of the most highly regarded producers, directors and actors within the industry.
Ollie Hester is an experienced Producer with over eight years working knowledge of the arts, entertainment and events industries.
As a freelancer, Ollie has worked on a variety of events for various corporate and creative clients including: Mimetic Festival, Penguin, BVCA, National Magazine Awards, Legal & General, EY, Schroders, Shell, BNYMellon and McKinsey.
In 2016, Ollie conceived, delivered and sold his own content-driven venue in Brighton – the biggest venue at Brighton Fringe, England’s largest open access arts festival.
Prior to joining 59 Productions, Ollie led the team at production house Underbelly for over five years. Projects for Underbelly included Pride in London, Christmas in Leicester Square, Udderbelly Festival London & Hong Kong, London Wonderground, Edinburgh’s Christmas and Hogmanay celebrations, West End Live in Trafalgar Square and a 16-venue operation (ranging from 40 to 1000 seats) at the Edinburgh Fringe Festival.
Tommy is an experienced Producer with more than 12 years in the industry. Throughout his career he has worked in many different settings, countries and within a range of creative industries. He has worked with global product launches and exhibitions for some of the world’s biggest brands, designed major marketing campaigns and sponsorship activations, produced award ceremonies, fundraising galas and hospitality events.
Originally from Stockholm, Tommy came to London 2010, to study his Master’s Degree in directing and producing at Royal Central School of Speech and Drama, and he has never looked back. Prior to joining 59 Productions, Tommy worked at the live-experience agency Innovision, producing flagship projects for clients such as BP, Red Bull and the British government.
Parallel to working with commercial projects Tommy toured and coordinated the festival programme for Scandinavia’s largest music festival ‘RIX FM Festival’ for 4 consecutive years, filmed child soldiers in DR Congo in collaboration with UNICEF, interviewed activists from Euromaidan in Ukraine in collaboration with Cambridge University, and directed gala performances for the British Armed Forces in Germany (BFG) supported by the Ministry of Defence.
Tommy has a Master’s Degree in Writing from Stockholm’s Academy of Dramatic Arts, a diploma in TV & Film Production from Medieskolan as well as a Diploma in Set Design from Folkuniversitet in Stockholm. Tommy was also the Artistic Director and Executive Producer of the London-based BeFrank Theatre Company 2010-2015.
Amy Davies Dolamore
Amy Davies Dolomore
Amy graduated from the University of Manchester in 2012 with a BA (Hons) in Drama.
She started her career in Stage Management working for venues such as The North Wall Arts Centre and The Yard in Hackney. After interning as a Production Assistant for six months for a Theatre In Education Company in Italy she returned to the UK and moved into Arts Administration.
She was the Admin Intern at the Bush before moving onto Literary Projects Manager, a role which she held for four years and during this time also worked as the Administrator for Bryony Kimmings Ltd.
Amy joined 59 Productions in January 2017 and assists the General Manager with the day to day running of the company.
TECHNICAL & PRODUCTION
James Roxburgh graduated from the Central School of Speech and Drama with a BA (Hons) in Theatre Practice, specializing in Technical and Production Management. He is Production Manager for 59 Productions and has worked with the company for 5 years to realise some of the most technically challenging projects in the entertainment industry.
After graduation he worked freelance on a number of theatrical shows in the West End and then touring shows for ATG, based at the Churchill Theatre Bromley. He first started working with 59 in 2009 as a freelance Production Manager, assisting on productions After Dido and then on Al Gran Sole Carico D’Amore. In 2011 he worked as Production Manager for the content film shoots for Two Boys, Dr Dee, Fink and Five Truths. Outside 59 he was Production Manager for several international touring musical productions, along with UK touring theatre work.
He began to work full time for 59 in January 2012 working on the London 2012 Opening Ceremony. He was Project Manager for 59 on David Bowie is at the V&A in 2013. He continues to work with the V&A to support the exhibition as it tours travelling to coordinate installations in Canada, Germany, USA, France, Australia, the Netherlands, Italy, Japan and Spain. He is also experienced in coordinating complex projects on sensitive sites such as Hampton Court Palace, The Royal Opera House, Somerset House, the BBC and Tate Modern.
For 59 Productions James has worked on many of our large scale events including Hampton Court 500 Rewind, The Harmonium Project, Deloite Ignite 15, Deep Time and Bloom.
Maximilien Spielbichler graduated from the Royal Central School of Speech and Drama with a BA (Hons) in Theatre practice, having focused on Theatre Lighting Design.
Max has worked as a freelance lighting and video designer, programmer and technician on a large variety and genre of live events since moving to the UK in 2010. His work has included working on all scales of musicals, operas, theatre, events and spectaculars in many unique and interesting contexts and venues.
Some of his credits include designing and coordinating the lighting of The Boat Project, an event that formed part of the 2012 Cultural Olympics. In 2013 he programmed all 6 operas as part of the Opera Holland Park season shortly after having worked as an assistant lighting designer on Sunday In The Park With George at the Theatre du Chatelet in Paris. He frequently worked as an electrician in the West End and worked as a draftsman for established lighting designers on their shows on an international basis.
Max joined Fifty Nine in 2014 after having worked for them as a freelance Technical Assistant for 4 months. During this time, Max has been the Associate Video Designer on The Russian Doctor, and Technical Associate on the Barbican International Enterprises exhibition Digital Revolutions as well as collaborating with Fifty Nine on a variety of other theatre, live music and exhibition projects.
Since joining Fifty Nine as their Technical Associate, Max has been working on a variety of Fifty Nine’s projects both in the UK and internationally.
Technical & Production Intern