General Manager (Maternity Cover)
After studying English Literature at Goldsmiths College, University of London, Lindsey began a career in classical music with a seven-year stint with national commercial broadcaster Classic FM before moving to the BBC. Subsequently she became Head of Arts at Bath Festivals, responsible for programming and production of Bath International Music Festival and Bath Literature Festival. Lindsey returned to London to take up the post of General Manager (latterly Acting Director) for the City Arts Trust, running the City of London Festival, the City of London’s Free Winter Concert series, a year-round programme of education and participation work and a host of other initiatives in the Square Mile.
Lindsey then joined Akram Khan Company as General Manager, working alongside award-winning dancer/choreographer Akram Khan and Executive Producer Farooq Chaudhry on the development of strategy and visioning for the company, securing significant funding and a place in Arts Council England’s National Portfolio, as well as producing more than 250 international performances annually. Credits include Akram Khan’s final solo dance piece, XENOS, which has its first performance in Athens in February 2018 before the UK premiere at Sadler’s Wells in late May.
Lindsey is also a member of the BSI advisory panel creating ISO 20121, the international standard for sustainable event management; and evaluates and monitors projects as an Expert for the European Union, working with the Education, Audiovisual and Culture Executive Agency (EACEA). As a consultant, she has worked with clients including Russell Maliphant Company and the British Arts Festivals Association.
Lindsey joined 59 Productions in December 2017 as General Manager (Maternity Cover), responsible for the day-to-day management of the company.
General Manager (on Maternity Leave)
Suzanne James (née Carter) is a General Manager and Producer and who has worked on productions in the West End, off-West End, Fringe and touring venues worldwide for companies including Sonia Friedman Productions, Working Title Films and the Southbank Centre.
Suzanne graduated from Sussex University with a BA (Hons) in Politics and Contemporary History before working as a freelance producer, making her first move into the West End working as an assistant producer on Angry Young Man at the Trafalgar Studios. Other productions include: for Sonia Friedman Productions – La Cage Aux Folles (Playhouse Theatre, West End), Legally Blonde (Savoy Theatre, West End) Arcadia and A View From the Bridge (Duke of York, West End), Dancing at Lughnasa and 24 Hour Plays (Old Vic); for Menier Chocolate Factory – A Little Night Music, Rookery Nook, and Talent; Backbeat (Duke of York, West End).
Between 2009 and 2011 Suzanne worked for Working Title Films as part of a new theatrical general management team working on Billy Elliot the Musical and the development of Bridget Jones the Musical.
Before joining 59 Suzanne worked as the Arts Coordinator at the Southbank Centre, playing a pivotal role in the programming and delivery of the year-long landmark festival The Rest is Noise and the summer 2012 Festival of the World.
Suzanne Joined 59 in 2013 and is responsible for the day to day management of the company, leading on key areas such as finance, business strategy, HR and contracting.
Previously she obtained an undergraduate degree in Product Design from NIFT, India, where her thesis project won the Best Graduation Project Award.
Prior to 59 she worked with an award winning Architectural practice – Rooshad Shroff Architecture + Design in Mumbai for almost 3 years. She was responsible for projects such as Window Display Design for Hermes India and Luxury Retail Interior for Christian Louboutin, other projects ranged from residential to hospitality.
Nick Corrigan has worked with 59 Productions on a range of video projects including the UN Global Goals Launch, Deep Time; the opening event at the Edinburgh International Festival, Wonder.Land at the National Theatre London, Sinatra at the London Palladium and the Boeing Centennial Projection Spectacular.
He began VJing in 1999 at the Institute of Contemporary Arts, London, and went on to play at clubs and festivals around world. In 2002 he created animations for Badly Drawn Boy’s European tour and subsequently went on to work with Yeast Culture on visuals for musicians including Nitin Sawhney, Matthew Herbert, Michael Nyman and Courtney Pine.
Since then Nick has continued to work on a broad array of video and animation projects, including video installations for the Mayor of London’s Future London exhibition at the Science Museum in London, video for Bernstein’s Mass directed by Dame Jude Kelly at the Royal Festival Hall, video for Nitin Sawhney and Akram Khan’s collaboration Confluence at Sadler’s Wells and live video design for Jamie Cullum’s Pursuit world tour.
More recently Nick has directed video for the Philharmonia’s production of Bluebeard’s Castle, video design for Will Tuckett’s production of West Side Story at the Sage Gateshead and Creative Direction for Jamie Cullum’s Momentum UK & European tour.
Dale is an Artist and Designer who graduated from the London College of Communication in 2016 with a first class degree in Illustration & Visual Media.
Since joining 59 Productions as Design Intern in November 2015 (becoming Assistant Designer in May 2017), he has worked on a variety of projects in the UK and internationally including The Life of Galileo, Sukanya, City of Glass, Memoirs of a Sailor, The Metropolitan Opera 50th Anniversary Gala and the 70th Edinburgh International Festival opening event Bloom.
Prior to joining 59 Productions, Dale spent a year of his degree outside the UK undertaking placements with Studio HOAX (NL) and Luca Bogoni (DE). He also worked for several years as a freelance Graphic Designer and Illustrator for various music, arts and events related projects.
Hannah Fasching joined 59 Productions in January 2016 as a creative assistant. In her time with 59, Hannah has played a key role in the creative development of a number of significant international projects. In joining 59 Hannah worked for a significant period on the research and development for the Boeing Centennial Projection Spectacular in Seattle, visiting the Boeing video archives and working closely with the animation team to develop the creative narrative and show content. Since then Hannah has worked on a variety of different projects including a projection mapping show in Las Vegas, performance of Sleeping Beauty for the Royal Opera House in the Switch House, Tate Tanks and the Dubai World Cup 2017. In January 2017 Hannah took on the role of Design Co-ordinator, organising the resourcing and scheduling of projects and co-ordination of video and photography of projects.
Hannah graduated from Goldsmiths, University of London with a BA in Design specialising in the use of digital media in spatial environments. Prior to joining 59, Hannah worked for Cohen Van Balen and Troika developing a number of artworks, installations and commissions that have been exhibited at the Lisbon Architecture Triennale, Foundation for Art and Creative Technology in Liverpool and NC-Arte in Bogota, Colombia. Hannah has also developed a number of her own projects including The Deep Ford, an outdoor video installation commissioned and exhibited as part of the London Design Festival 2014.
Claudia Fragoso graduated with a BA in Architecture from Cambridge University more recently with an MA in Architecture from the Royal College of Art. She recently joined 59 Productions, and was involved in the set design for a special performance of Sleeping Beauty for the Royal Opera House in the Switch House Tate Tanks. She is currently leading the architectural design for the City of Glass Virtual Reality Experience that will accompany 59’s upcoming production of Paul Auster’s City of Glass at HOME in Manchester and the Lyric Theatre in London.
During her BA, Claudia interned at SO-IL in New York, where she helped them develop their current design for the Frieze Art Fair located on Randall’s Island. Claudia joined PLP Architecture in September 2012, where she was involved in concept and detail design for several masterplan proposals both in the UK and China. Her experience in temporary architecture began with installation design and construction for various festivals including the Secret Garden Party in Cambridge, England, as well as the Theater Der Welt arts festival in Mannheim, Germany. Furthermore, Claudia has worked for Nieto Sobejano Architekten in Berlin, collaborating with the competition team on various proposals around Germany as well as Vienna, Vals and Moscow. Prior to joining 59 Productions have been working with Caroe Architecture Ltd. at St. Paul’s Cathedral.
Previous work experience placements include junior designer at a design studio in Cheltenham as well as a period within the R&D department at a telecommunications company in Istanbul.
Akhila Krishnan is a Designer, Film-maker and Artist with extensive experience working in the UK and India. She completed her Masters from the Royal College of Art on a full scholarship, and has worked with a range of organisations including The Academy of St. Martins in the Fields, The Barbican, Alliance Française, Random House and the Indian Government in her professional career.
Akhila began working with 59 as a freelancer in 2012, joining the company full time in August 2013. Her first project with the company was Isles of Wonder – The London 2012 Olympic Opening Ceremony, and she has gone on to work across a range of projects as part of the core creative team.
She worked on the Tony Award winning show An American in Paris (Chatelet Theatre / Broadway) and its recent West End transfer. Projection Mapping work includes Deep Time – the opening event for EIF 2016, UN Global Goals Launch – projection mapping onto the UN Building and Lighting the Sails – projection mapping on the Sydney Opera House. Installation work includes The Baroque Story (Hampton Court Palace) and notably Shakespeare: Greatest Living Playwright (V&A) and By Me, William Shakespeare: A Life in Writing (Somerset House/National Archives) – for which she led the design for. Opera and Theatre work includes Perfect American (ENO/ Teatro Real) and Great Britain (National Theatre/West End).
Akhila works as an integral part of the content and design team at 59, using her varied and diverse skills to work across narrative, design, production and delivery. She works closely and collaboratively with curators, writers, musicians, animators and artists to create unique material for projection, often leading on delivery for the same. She also runs the internship program at the company; mentoring young designers.
Jenny Melville is an architect and set designer who has specialised in design for live performance. Since graduating from her Masters in Architecture at the Royal College of Art, she has been designing theatrical stage sets and immersive spaces alongside her more traditional architectural work designing theatres.
Jenny joined 59 Productions in November 2015. In her time with 59, Jenny has contributed to a vast range of projects. She led the 3d design work on the V&A ‘David Bowie Is’ remounted exhibition in Bologna, the staging for the spectacular Boeing 100 year celebration show in Seattle and more recently the set design for a special performance of Sleeping Beauty for the Royal Opera House in the Switch House Tate Tanks.
Prior to joining 59, Jenny worked for over five years at world-renowned production designers, Stufish Entertainment Architects, where she gained experience in a wide range of stage and architectural projects all around the world. Notably, she was the Project Architect for the multi-award winning Han Show Theatre, a 2000 seat theatre for Franco Dragone which included some extraordinary staging technology. She also led the design on the Pink Floyd Exhibition, which opens at the V&A in May this year.
Jenny is an ARB registered Architect, having gained her professional accreditation from the University of Cambridge.
Senior Motion Designer
Nicol graduated from Camberwell College of Art (Graphic Design BA) and embarked upon a long career as a freelance animator and motion designer. He has wide ranging experience of animation projects from music videos, tv commercials, children’s tv, concert visuals, including animation credits on two Emmy award winning television productions, ‘World War 2 from Space’ (Prime Focus) and ‘How We Got to Now’ (Peepshow Collective).
Nicol first started working with 59 Productions during the London Olympics in 2012. Since then he has worked on most of 59’s major projection mapping projects including Sydney Opera House (2014), Hampton Court Palace (2015), Harmonium (2015), Edinburgh International Festival openings (2016/2017) and most recently the 20th anniversary celebration of the Guggenheim Bilbao. He has also created animated content for stage projects including Two Boys, Ceremony of Innocence, Light Falls, and American in Paris.
His long association with 59 led him to become an in house senior motion designer in 2017.
Matthew graduated from the University of Kent in July 2015 with a first class degree in Digital Arts and worked as a graphic designer prior to joining 59.
Joining in October 2015 as a design intern Matthew worked on several theatre and exhibition projects, assisting with artwork and animation for installation By Me, William Shakespeare: A Life in Writing at Somerset house and Wonder.land at the National Theatre. Since taking on the role of Assistant Designer he has worked closely on projection mapping show Deep Time for Edinburgh International Festival 2016 as a storyboard artist and visualiser, creating press images and animation content for the show.
Matthew has continued to work on a variety of projects in the UK and internationally, creating visualisations and conceptual animations for many of 59’s key projects. Select credits include theatre production City of Glass, exhibition David Bowie Is (Barcelona), Dubai World Cup 2017, projection mapping show Reflections onto the Guggenheim museum and opening events Deep Time and Bloom for EIF 2016 and 2017.
Design Studio Coordinator
Rebecca Collis graduated from Royal Holloway University of London in September 2010 with a BA (Hons) in Media Arts.
She joined 59 in late December 2014 and is currently a Producer for the company, regularly producing a variety of different projects ranging from large scale outdoor events to museum exhibitions to theatre shows. She works closely with each of the directors and design teams to help bring their artistic visions to life in as seamless a manner as possible.
Rebecca has over 4 years’ experience working freelance in the film industry prior to her joining 59 Productions. She has collaborated with some of the largest film studios in the world such as Paramount Pictures, Warner Brothers and Walt Disney, with some of her credits including ‘World War Z’, ‘300: Rise of an Empire’, ‘Cinderella’ and ‘Alice Through The Looking Glass’. Based in the production office, Rebecca specialised in the co-ordination and management of productions and throughout her career has had the pleasure of working with some of the most highly regarded producers, directors and actors within the industry.
Ollie Hester is an experienced Producer with over eight years working knowledge of the arts, entertainment and events industries.
As a freelancer, Ollie has worked on a variety of events for various corporate and creative clients including: Mimetic Festival, Penguin, BVCA, National Magazine Awards, Legal & General, EY, Schroders, Shell, BNYMellon and McKinsey.
In 2016, Ollie conceived, delivered and sold his own content-driven venue in Brighton – the biggest venue at Brighton Fringe, England’s largest open access arts festival.
Prior to joining 59 Productions, Ollie led the team at production house Underbelly for over five years. Projects for Underbelly included Pride in London, Christmas in Leicester Square, Udderbelly Festival London & Hong Kong, London Wonderground, Edinburgh’s Christmas and Hogmanay celebrations, West End Live in Trafalgar Square and a 16-venue operation (ranging from 40 to 1000 seats) at the Edinburgh Fringe Festival.
Anna Jameson is Executive Producer at 59 Productions, where she is developing a slate of projects initiated from within the company, the first of which was the stage production of Paul Auster’s City of Glass in 2017.
Anna began her career devising, directing and producing theatre, and was a finalist in the JMK Director’s Award in 2002. Her desire to be part of a large producing theatre led to a change of direction and to the National Theatre (NT), which she joined in 2004. Over seven years at the NT – latterly as Special Projects Manager in Nick Hytner and Nick Starr’s Office – she raised over £3 million in sponsorship and led a number of key projects, including Step Change and an innovation programme with Accenture.
After a brief interim job as Gecko’s Executive Director, where she successfully moved the company to the Eastern Region, securing significant ACE funding and a home at the New Wolsey Theatre, Anna joined the Young Vic. As Director of Development and a member of the Senior Management Team, she both led a department and contributed to the overall running of the theatre. Her successful leadership of the Development department led to a doubling of revenue in the first 18 months of her tenure. Whilst at the Young Vic, Anna also jointly conceived, commissioned and produced a series of award-winning short films inspired by main stage plays in partnership with The Guardian.
Credits as a freelance producer include The Overcoat, adapted for the stage by Gecko, which played at the Lyric Hammersmith and then toured internationally; Not by Bread Alone, a play performed by an ensemble of deaf blind actors which premiered as part of LIFT 2010 and went on to open leading arts festivals in New York and Australia; City of Glass for 59 Productions, adapted from the Paul Auster novel, directed by Leo Warner.
Anna has also worked with many arts companies as a freelance consultant on a range of projects covering organisational development, fundraising, project management and recruitment. She is an accredited coach and a Board member of Improbable.
Tommy is an experienced Producer with more than 12 years in the industry. Throughout his career he has worked in many different settings, countries and within a range of creative industries. He has worked with global product launches and exhibitions for some of the world’s biggest brands, designed major marketing campaigns and sponsorship activations, produced award ceremonies, fundraising galas and hospitality events.
Originally from Stockholm, Tommy came to London 2010, to study his Master’s Degree in directing and producing at Royal Central School of Speech and Drama, and he has never looked back. Prior to joining 59 Productions, Tommy worked at the live-experience agency Innovision, producing flagship projects for clients such as BP, Red Bull and the British government.
Parallel to working with commercial projects Tommy toured and coordinated the festival programme for Scandinavia’s largest music festival ‘RIX FM Festival’ for 4 consecutive years, filmed child soldiers in DR Congo in collaboration with UNICEF, interviewed activists from Euromaidan in Ukraine in collaboration with Cambridge University, and directed gala performances for the British Armed Forces in Germany (BFG) supported by the Ministry of Defence.
Tommy has a Master’s Degree in Writing from Stockholm’s Academy of Dramatic Arts, a diploma in TV & Film Production from Medieskolan as well as a Diploma in Set Design from Folkuniversitet in Stockholm. Tommy was also the Artistic Director and Executive Producer of the London-based BeFrank Theatre Company 2010-2015.
Amy Davies Dolamore
Amy Davies Dolamore
Amy graduated from the University of Manchester in 2012 with a BA (Hons) in Drama.
She started her career in Stage Management working for venues such as The North Wall Arts Centre and The Yard in Hackney. After interning as a Production Assistant for six months for a Theatre In Education Company in Italy she returned to the UK and moved into Arts Administration.
She was the Admin Intern at the Bush before moving onto Literary Projects Manager, a role which she held for four years and during this time also worked as the Administrator for Bryony Kimmings Ltd.
Amy joined 59 Productions in January 2017 and assists the General Manager with the day to day running of the company.
Laura graduated from the University of Leeds in July 2017, with a BA (Europe) in English Literature.
Previously, Laura has interned at The Poetry Society and Dulwich Picture Gallery, and has worked on a number of exhibition projects and festivals, including the Edinburgh Festival Fringe and Ultima, a contemporary music festival based in Oslo.
Laura assists the General Manager and Administrator with the day to day running of the company.
Operations and Production Associate
In the theater world, Julianna has worked for the Lincoln Center Festival, WestBeth Entertainment, a boutique producing office specializing in international comedy, as well as various Broadway shows. Internationally, Julianna managed productions for The Jim Henson Company at the Edinburgh Fringe Festival, Melbourne Comedy Festival, Sydney Opera House, Toronto’s Panasonic Theatre, and the Powerhouse Theatre in Brisbane.
As a freelancer, Julianna has over four years of experience in television, collaborating on primetime programming as well as live-event broadcasts in the production and talent departments for NBC Universal, National Geographic, BET, MTV and more. Julianna works from 59’s US Office in New York City.
TECHNICAL & PRODUCTION
James Roxburgh graduated from the Central School of Speech and Drama with a BA (Hons) in Theatre Practice, specializing in Technical and Production Management. He is Production Manager for 59 Productions and has worked with the company for 5 years to realise some of the most technically challenging projects in the entertainment industry.
After graduation he worked freelance on a number of theatrical shows in the West End and then touring shows for ATG, based at the Churchill Theatre Bromley. He first started working with 59 in 2009 as a freelance Production Manager, assisting on productions After Dido and then on Al Gran Sole Carico D’Amore. In 2011 he worked as Production Manager for the content film shoots for Two Boys, Dr Dee, Fink and Five Truths. Outside 59 he was Production Manager for several international touring musical productions, along with UK touring theatre work.
He began to work full time for 59 in January 2012 working on the London 2012 Opening Ceremony. He was Project Manager for 59 on David Bowie is at the V&A in 2013. He continues to work with the V&A to support the exhibition as it tours travelling to coordinate installations in Canada, Germany, USA, France, Australia, the Netherlands, Italy, Japan and Spain. He is also experienced in coordinating complex projects on sensitive sites such as Hampton Court Palace, The Royal Opera House, Somerset House, the BBC and Tate Modern.
For 59 Productions James has worked on many of our large scale events including Hampton Court 500 Rewind, The Harmonium Project, Deloite Ignite 15, Deep Time and Bloom.
Maximilien Spielbichler graduated from the Royal Central School of Speech and Drama with a BA (Hons) in Theatre practice, having focused on Theatre Lighting Design.
Max has worked as a freelance lighting and video designer, programmer and technician on a large variety and genre of live events since moving to the UK in 2010. His work has included working on all scales of musicals, operas, theatre, events and spectaculars in many unique and interesting contexts and venues.
Some of his credits include designing and coordinating the lighting of The Boat Project, an event that formed part of the 2012 Cultural Olympics. In 2013 he programmed all 6 operas as part of the Opera Holland Park season shortly after having worked as an assistant lighting designer on Sunday In The Park With George at the Theatre du Chatelet in Paris. He frequently worked as an electrician in the West End and worked as a draftsman for established lighting designers on their shows on an international basis.
Max joined Fifty Nine in 2014 after having worked for them as a freelance Technical Assistant for 4 months. During this time, Max has been the Associate Video Designer on The Russian Doctor, and Technical Associate on the Barbican International Enterprises exhibition Digital Revolutions as well as collaborating with Fifty Nine on a variety of other theatre, live music and exhibition projects.
Since joining Fifty Nine as their Technical Associate, Max has been working on a variety of Fifty Nine’s projects both in the UK and internationally.
Iain Syme graduated from the Royal Central School of Speech and Drama with a BA (Hons) in Theatre Practice. Whilst there he received the Association of Lighting Designer’s Excellence in Video Design Award in 2015.
He has worked as a freelance video designer, programmer and technician for both theatre and live events. Selected design credits includes work at Battersea Arts Centre, Arcola Theatre and New Diorama Theatre. Assistant and associate credits includes work at the Deutsches Schauspielhaus and international concert touring.
Iain first worked with 59 Productions on Deep Time in 2016 as a Technical Intern and then joined the company as a Technical Assistant in 2017. Since then he has worked on a number of their Stage, Exhibition, Event and VR projects both in the UK and internationally.
Technical & Production Intern
David Callanan graduated from Lancaster University in 2016 where he received the LICA Award for his work with creative technology. Since then he has worked across many areas in the creative industries, including as an Engagement Assistant and Programme Supporter. However, he has primarily worked as a Theatre Technician.
He is a Freelance Video Programmer/Designer, Production Designer, and LX Technician. Selected Technical credits include Manchester International Festival and One Tenth Human. Design Credits include work presented at New Diorama, Lancaster Arts and Z-Arts Manchester. David was awarded the Sunday Times NSDF Judges Award for Outstanding (Technical) Design in 2017.
Since joining 59 in 2017, David has worked on Bloom at The Edinburgh International Festival and Reflections at The Guggenheim Museum in Bilbao.