a seismic shift in scientific thinking
The Young Vic
Galileo Galilei: father, hero, heretic. When a chance discovery leads to evidence of a seismic shift in scientific thinking, Galileo sparks a dangerous dispute with authority. To challenge the idea that the earth is the centre of the universe is to challenge the all-powerful Roman Catholic Church. Brecht’s dramatisation of the battle between belief and reason considers whether proof matters when it inspires dissent. Joe Wright catapults Life of Galileo into the Young Vic’s Main House auditorium as you’ve never seen it before with design by Lizzie Clachan and video design by 59 Productions.
‘Life of Galileo’ runs at the Young Vic Theatre until 24 June, 2017.
“A genuinely exhilarating bit of staging – enhanced by 59 Productions’s stunning cosmic projections and Tom Rowlands’s pulsating score. [..] This is a trip, and a good one at that.”
“He [Brendan Cowell] hurtles round the room, exhorting us to think, to wonder, to gaze in awe at the canopy of stars projected (by 59 Productions) above us on a huge planetarium-like disc: a majestical roof fretted with golden fire.”
“59 Productions have worked on this production to make some absolutely stunning visuals. The auditorium becomes almost like a planetarium, as the night sky, the Sun, and many other things besides are projected onto the ceiling. The very last sequence, in particular, is breathtaking.”
“59 Productions – the mesmeric projection crew currently dazzling audiences at the Lyric Hammersmith’s City of Glass – have outshone themselves here, with a domed-ceiling that shifts from dance club to duomo, from panopticon to planetarium. Its depth and the extent to which it dominates the visual field means that a survey of the moons of Jupiter gives the viewer a thrilling sense of motion, while an examination of sunspots merges with screaming bass to approach the Burkean sublime.”
“Meanwhile, that dome offers an ever-changing succession of variously beautiful and extraordinary projected images, courtesy of 59 Productions, a creative company who are exerting an increasing influence on London theatre productions, with their work also recently also dominating the design of An American in Paris and the astonishing City of Glass at Lyric Hammersmith.”
“He [Joe Wright] adds to traditional methods of storytelling, state of the art projections from 59 Productions that turn the circular disc into a planetarium and project space over our heads, planets spinning dizzyingly into view like huge, exploding flowers. Add music by Tom Rowlands (one half of The Chemical Brothers) and you have all the ingredients of a wonderful extravaganza.”
“The projections [..] including the moon, Jupiter and spectacular sun spots – might have overwhelmed the play, providing instead a cross between a planetarium and Disneyland, but gimmickry is avoided and the effects judiciously controlled. Tom Rowlands, one half of The Chemical Brothers, contributes music which often uncannily matches the excitement of the visual space sequences.”
“Over the inner circle in Lizzie Clachan’s design is a domed screen that becomes many things but primarily a planetarium of astounding (sometimes 3D) beauty, thanks to the wondrous efforts of projection designers 59 Productions.”
“The set by Lizzie Clachan is never boring, the real world, symbolised by makeshift scaffolding and prop oddities, contrasting brilliantly with the wonder above (projections are the work of 59 Productions). Look up in awe. You have to love the way this production keeps on reaching for the stars”
The Young Vic
Javier de Frutos
Producer (for Young Vic)